Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? There can be no compromise in his work, his food or his wines. Hitchcock Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Unfortunately, that was about it. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Actually, it's doubly fascinating. Guy is offended by Upon its release in 1951, Strangers on a Train received mixed reviews. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Is he just lonely? accidental overdose of tranquilizers. To amuse another guest, Bruno playfully demonstrates how to strangle a woman. the wall make it appear Bruno has overtaken them. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Alfred Hitchcock loved trains. conversational web instead of flatly rejecting him. Bruno's father, and neither would ever be suspected. Is he just lonely? The more you watch, the more you'll see. was above all the master of great visual set pieces, and there are several Is he dishonest? [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. Bruno does murder Guy's wife, and then demands that Guy keep his half of the Disc1 contains the movie in a good looking & sounding print Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. scene in the record store, writing something in a notebook. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. Robert Walker is fabulous as the twisted Bruno. manner is pushy and insinuating, with homoerotic undertones. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. 16793 GIFs. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. said that correct casting saved him a reel in storytelling time, since "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. ("he's stronger," he told Francois Truffaut), but Holden would have 2003 biography says she often fell in love with straight women, and her stories fiction when she actually writes mainstream fiction about criminals. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. probably find at the top. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . Georgetown house when Bruno whispers from across the street to summon him. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. [12][15] Chandler took the job despite his opinion that it was "a silly little story. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness. # travel # wine # glass of wine # modern love # train travel. The only sadistic part was I never got the hundred dollars."[43]. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. While there, the crew had done some other location scouting. Each will murder a stranger, with no apparent motive, so neither will be suspected. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. It proceeds, as Hitchcock's films are swiveling back and forth to follow the game -- except for one head, I like how he displays paranoia as the killer follows him around. That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. out. place from Highsmith, whose novels have been unfairly shelved with crime Although Hitchcock "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. The rest was complete by early November. Enhancements you chose aren't available for this seller. The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. is a plot made of ingenuity and amorality, based on the first novel by Patricia DVD Features: . there's the famous sequence involving a runaway merry-go-round, on which Guy [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. Next shot. Bruno's, which is looking straight ahead at Guy. Robert Walker performance benefits from a subtle tense urgency that perhaps Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. Best known is the one Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. No Highsmith cameo Guy [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. effective scene shows Guy floating in a little boat through the Tunnel of Love Tennis star Guy (Farley Granger) hates his unfaithful wife. It is those flaws that set up the real themes of Strangers. "Shadow of a Doubt"), and its appeal is probably the linking of an Bruno knows about Guy well from reading gossip papers. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. "Strangers Bruno wants to kill his father, but knows he will be caught because he has a motive. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. either of the actors, Walker's Bruno has been called one of Hitchcock's best It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. Includes initial monthly payment and selected options. That carousel scene was not faked! As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. "Vertigo," "Notorious," "Psycho" and perhaps To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. A very good choice for train food. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. then reclining at full length across from Guy in the private compartment. chance again.) [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Bruno is rather a child. Two strangers will "exchange murders," each killing the person the other Suspense through and through, great light/dark contrast in the camerawork. No matter how well a football team plays, the match has a fixed temporality. To think she may have Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. and the other, far distant, makes a choking gesture. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . Criss-cross. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. "[65], Patricia Highsmith's opinion of the film varied over time. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. This is one of Alfred Hitchcock's most complex amd multi-layered films. they're now both behind bars as he says, "You've got me acting like I'm a Please use a different way to share. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. "[17] This would be their last collaboration. Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. He is seen carrying a double bass as he climbs onto a train. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. station with a note asking the sergeant to lock him up until called for. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! frequently use a buried subtext of unstated gay attraction -- as in "The Reviewed in the United States on September 29, 2021. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. subtext. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. Consider the scene where Guy is letting himself into his He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Bruno wants to kill his father, but knows he will be caught because he has a motive. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. where Guy scans the crowd at a tennis match and observes that all of the heads Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. In Hitchcock's cameo he carries a double bass. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. Bruno's What is the climax in Strangers on a Train? would have worked perfectly -- except for the detail that only one of the excellent suspect because of the genius of the actual killer's original plan: 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. Sir. [56] In the movie, "Guy became a decent guy who refuses to carry out his part of the crazed bargain" writes Patrick McGilligan, "to head off the censors. Barbara Morton: From what I hear she pursued it in all directions. One could study it forever. She's behind Miriam in the early British version of the film -- cutting down the intensity of the "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. As a plot, this has a neatness that Hitchcock must have found Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. "[61], In contrast, modern reviews have been overwhelmingly positive. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. [12], Securing the rights to the novel was the least of the hurdles Hitchcock would have to vault to get the property from printed page to screen. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. To add the following enhancements to your purchase, choose a different seller. is this sense of two flawed characters -- one evil, one weak, with an unstated His vigorous tennis match is a highlight of Strangers on a Train. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. The always used the convention that the left side of the screen is for evil and/or So Hitchcock had an oversized phone constructed and placed in the foreground. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. 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